The largest difference between loud and soft. The physical term resolution in audio is the sample rate (how fine or precise can the digital wave follow the original). Unfortunately we audio people are using resolution the wrong way. And 18 dB of headroom is good enough not to wreck the tracks of even the worst drummers or bass players by clipping.Īnd no, we will *not* lose 3 bit of resolution. More than any analog amplifier I am aware of. And this means you will get about 120+ dB of dynamics. 18 dB peak means you are recording up to 21 bit. Many DAWs will show us peak though, at least more prominent. Keep in mind that we're talking RMS/VU values here, not peak. 18 dbfs is more or less what the old consoles had as "zero". ![]() When everything is summed together to the master, there is plenty of oomph still. ![]() I'm still a relative beginner but have to say that since I've used a trimmer on the DAW to gain stage and turn everything down, things have come out better. Not my words, just what I've read of late. Some of the plugins don't like it up 'em if you're too hot. I've been reading up on this lately (a little knowledge is dangerous I know ) and the theory seems to be to keep the level to -18 or so on each channel in the DAW as far as your signal level goes. Why not cut out the middle man?Īs to recording 'hot'. ![]() It's probably not going to lose right a lot of anything in particular but why bother? The Kemper puts out 1's and 0's and that's what the computer wants. If you're using the Kemper analogue out to go to a computer when you could use SPDIF, I personally think it's a bit silly as you're converting digital to analogue when it leaves the Kemper then just converting it straight back again. If you're going to an interface on a computer to record (so I guess that's most of us) then it will have to do an Analogue to digital conversion at the point you squirt it into the computer. Also, what are your thoughts on recording using the SPDIF output versus recording using the analog output?
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